……my intent is to process the mood, emotions and other chaotic elements of what I see into the story, the characters and their surroundings. This is helpful in two ways – one, I have details that I can attribute to one or more characters and enrich the story and two, I can see an inevitable end to the course that’s been set by chance (or a few choice words on paper).
Of course, as the writer, you might think I have ultimate control over how things pan out with the characters, but I don’t. They’re just as taciturn and ornery as the people I meet in a bookstore or a bar or, well, anywhere. That I arrive at the ending I planned on is always a bonus, but getting there has always been a road trip on the back roads of America (or Europe or Africa, for that matter) without the use of a map. Adventurous? Yes. Recommended? That depends – some writers/authors use outlines, others don’t. Personal preference.
But I digress.
I write about the things I’ve experienced or observed to better process and understand them. I’ve seen some head-scratching incidents and behaviors that had me in a state of perplexity. I’m only half-successful in that I can recreate those situations to a certain degree and have the outcome turn out in a way that makes sense to me, but wouldn’t necessarily occur in real life. At least, that’s been my experience.
And I suppose that’s the way of Life and the way of Fiction or Art of any kind – one that Is and the other is How I Perceive It.