……I get songs stuck in my head. I’m not kidding – I have created soundtracks to several screenplays, mostly for my own amusement. There has been at least one occasion where the song inspired the story and I wrote the bulk of it in one sitting.
I love crooners, like Tony Bennett, and groups like the Temptations or the Flamingos. I love singers like Natalie Cole and Cyndi Lauper. Their energy, their voices, their artistry, often connect with my imagination in such a way that scenes will write themselves. Sometimes the style of music will surprise me, but the mood it conveys will always suit the scene I’m in the middle of.
Right now, I’m revising my two-act comedy, cutting out unnecessary words (boy, I can tell I’m a novelist – I’m wordy!). Lines still make sense, even when cut in half, which is good. Since I’ve not written a stage play before, this is a good exercise for me.
I haven’t been listened to music for a long time, outside of my car. I’m discovering that I need to start listening again. Especially when you’re writing a play about the ancient gods and goddesses of mythology. There is a Chorus, after all, who sing about what they witness or summarize what came before. And music is the voice of civilization – just as the written word allows us to connect with the minds of Herodotus or Shakespeare or Jane Austen or Mary Shelley, so does music give voice to that past.
When a particular style or genre of music starts nudging at you, trying to get your attention, or you have a song stuck in your head, listen to that. That’s your creative instinct telling you to pay attention, that there’s something there for you to hear, that it may add more color into your work, whether it’s writing a play or painting a portrait.
So, on that note, I need to go listen to variations of Your Cheatin’ Heart. Apparently, country music has become part of my Ancient Greek Comedy’s soundtrack.
I did not see that one coming.