…….I make a point of reading as much related material as I can get my hands on. As a way to understand the genre I’m tackling, there’s no better way to get familiar with it than reading as many books and authors as possible. Whether it’s a thriller or erotica or a mystery, each and every genre has its own set of rules to go by. And the more you read and write and follow those rules, the better you get at understanding how to turn them on their head and create something else altogether.
When I was working on my thriller screenplay, I read a lot of true crime and criminology books, as well as thrillers that were similar in nature to what I wanted to write. Thrillers, by and large, are essentially mysteries, but with bigger settings and higher stakes. In some ways, I think I succeeded, and in others, I failed. Because of the vision I’d had originally, I over-complicated certain aspects of setting and character and ended up stretching the credibility of the reality I was trying to establish. With the passage of time, I’ve been able to work out how to correct some errors and strengthen what’s already there.
With my erotic speakeasy story, I’ve read a number of short stories and novels, paying close attention to and breaking down in analytical terms particular scenes. While the nature of these stories is to be playful and sexy and arousing, my interest in reading them was to analyze how these scenes inspired (or didn’t inspire) arousal. It’s word choice, certainly, and how those words are used matters. The right words not only conjure up setting and time, they also have the added duty of creating an emotional connection between you and the characters. If you don’t feel the desire that the characters are feeling, then words were either poorly chosen or poorly placed.
My rule of thumb in knowing if I’ve created the desired effect is how I feel when I’m writing any particular scene. If the scene requires arousal and flirtatious behavior, I’ll know if I’m on the right track by how I respond to it. If the scene requires uneasiness or fear, my heart rate will be affected in a far different manner. And the only way to truly know if I’ve been successful in creating the mood I wanted is how someone else reacts to it.
So far, so good.