…..and I got stuck because of Zeus. Why, you ask, would the primary god in Greek mythology be such a problem that you got stuck when writing about him?
By rights, he should be a fun character to give life to on the page. He’s larger than life (because he’s a god, naturally), bombastic, can shape-shift into any creature or element he wishes, has the power to control the world and his fellow gods and goddesses.
Zeus should have been a piece of cake to write about.
But he wasn’t.
He started out as a Burl Ives caricature, then I took him out and made him a light/sound effect so that I could reduce the number of characters I had on-stage. Then I added him back on-stage, as a physical character, but with light and sound as his voice. A director read the work and came back with several notes, including one that gave Zeus his voice back.
‘Great,’ I thought, ‘This should be easy.’
I had gone through the first twenty pages, revising dialogue and cutting out unnecessary words (and this is how I know I’m a novelist at heart – I’m very wordy). I re-structured character motive and added new directions. All was going well, it was clicking along at a nice pace and I was enjoying the characters and their interactions.
Then I came to Zeus, his first entrance and everything came to a screeching halt.
I typed in his name, hit the Enter key to start his first line and………nothing.
Zip. Nada. Silence.
I put it aside, as I always do when I encounter difficulty. I still kept notes, writing down ideas that could be incorporated into the script. I even began to design a soundtrack, to help with the creative flow. Also, there’s a Greek Chorus and the Greeks were all about music, so it made sense to let that side develop.
But I was still stuck and Zeus, uncharacteristically, was stubbornly silent.
An article I’d read recently about character development had been ruminating in my thoughts – I don’t recall the title of the article or where I’d found it, but I will edit this post to add it should I be lucky enough to find it.
In any case, the article asked a lot of good questions and what I remember is this – what is your character’s over-riding arc? What is their question that needs answering? What is their need?
I began to ask this of my play’s characters and some interesting things began to come up, things that had been below the surface.
And then recent events and Zeus’s own well-documented behavior in his own myths began to shed some light on the subject. Now I know his questions, his arc and his need.
The darkness always comes before the light.
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