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J. J. Brown, Wordslinger

"I Sling Words As I Go Along."

Date

January 11, 2017

So, I’m in another play…..

……a one-act, more specifically, which lasts about 15 to 20 minutes. There are four other one-acts in this production, thus it’s referred to as the one-act festival. It’s held every year and seems to have a fairly good turn-out.

Which makes the time frame about the length of a two act play (two hours).

This is actually a nifty idea, because you can get maybe four or five playwrights’ work staged and exposed to a receptive audience, instead of just one. It enables unknown playwrights especially, since you could also mix them in with well-known playwrights, whose work has been established.

The stage where the one-acts will be performed, but not with this backdrop.
The stage where the one-acts will be performed, but not with this backdrop.

I’m having a lot of fun with finding my moments within my character’s speeches and today, I made my director cry. Which I suppose was the point – my character is blind, and is writing an email home, feeling very insecure about what may occur upon her arrival. So there’s a lot of emotion and empathy coming out.

That’s part of an actor’s job – to make you feel what the characters feel. Same thing with a writer. Or songwriter.

The arts are about creating empathy between you and the subject. It can be uncomfortable, it can make you mad or upset or happy or melancholy. No two people will have the same kind of experience, even if they see or read the same things.

In a play, there is a symbiotic relationship between the actors on-stage and the audience that is watching them. My job, as an actor, is to make you feel what I’m feeling. If my character, in the moment, is feeling something so powerful, that you start to cry, then I’ve done my job.

Even if it’s a tiny sniffle, I will consider that I did my job and transported you to another plane of emotional existence.

It’s an experience that’s harder to pull off via film or TV – not impossible, just harder.

Go see live theater, even if it’s a musical you grew up loving as a kid. It’s an experience that is always good to share with friends and family.

 

“The stage is set, the curtain rises. We are ready to begin.”
Sherlock Holmes, The Abominable Bride (2015)

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An American Tourist in Ireland (9)

After two nights in Killarney, we spent two nights in Galway. The previous two posts, visiting the Cliffs of Moher and Cong, were day trips to see more of Ireland. Let me just say that when you go on a tour, they pack things into every moment of each day. Which is a great way to first visit a foreign country.

I did not get any pictures of Galway while we followed our guide, though I did manage to video some street musicians playing. I’m not able to post them here at the moment, but will see if I can find a way to do it via another source. The music was lively and haunting and beautiful – the closest I’ve come to hearing it here in the states is at my local pub and wine bar.

Up to this point, I’d found the weather quite comfortable. It ranged from 35 to 50 degrees every day and I was warm enough wearing just a sweater. The rest of my group had bundled up in heavy coats, mufflers, hats and gloves. Galway changed that within five minutes. I finally put on my heavy coat, thanks to the ice-cold wind coming in off the water.

In some ways, I regret not taking more pictures. There was so much to see and experience, I didn’t want to separate myself from any of it by looking through a view finder. I constantly felt like I was on the verge of something – a discovery, a meeting, something. I’m not sure if I did and haven’t pieced it together yet, or if it’s waiting to reveal itself later on.

Perhaps it’s a mystery I can only unravel by going back to Ireland.

Village across the bay, near Skellig Michael Information Center.
Village across the bay, near Skellig Michael Information Center.

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