…..and I feel pretty good about it. There’s still some work left to be done on it, places that need polishing, and characters that need a little more development, but overall, I’m satisfied with what I’ve written. My next step will be to send it to a local director for a clear eye and suggestions, and from there, that’s anyone’s guess.
But I’ve got some definite ideas.

Should it go forward and find a stage, a cast and a choreographer [1], it will be the culmination of a dream – to see a work I wrote take on a new life in front of an audience. Will I consider myself a playwright? Only in the loosest sense of the word – this is a fairly comprehensive list of playwrights that deserve the title. Each of them have a body of work that will forever be in production.
I think this is my only work to be written specifically for the stage. I won’t say that I’ll never try it again, but my specialty is writing in the narrative form. This was a fun and, at times, a nerve-wracking challenge. I’ve removed characters, added them back in, re-wrote dialogue and new scenes and then, when all seemed lost, a piece of music would send me back in with renewed vigor.
In the process, I realized that the story I wanted to tell (using LOTS of humor) required me to use the stories of the gods and goddesses I chose to be characters in my play. Interestingly, their stories tied into many of today’s social issues and, while I was pleased, I wasn’t entirely surprised by this discovery.
After all, their stories have been around for centuries – they are very human concerns that transcend time and place.
[1] While this is not a musical, per se, it does have some song and dance numbers.
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