…..and made some very interesting observations as I went about my normal routine, going to my local coffee shop and running errands around town. First and foremost, this was the first time I’ve taken on the challenge to try and become a character in my own book. Second, I did this primarily because I’m more familiar with how a woman of the late 20th/early 21st century would dress and move. Third, in order to get into the mind-set of a character set in an era not my own, this was a fun and effective way to do it.
Also, my background is in theater and I’m a method actor. [1]

The flats (left) and the sensible heels (right).
Simply by putting on the dress, my posture changed significantly – I found myself standing with my back a little straighter and my shoulders back. This elevated my chin, so that I was looking up and around, not at the path before me. My stride (which, given my height, is normally long and quick), became shorter and brisk, altering the way my hips also moved. [2]
In addition to the dress, I also styled my hair in as simple a style as I could manage – this was a task unto itself, if you want to know. My hair and I have an uneasy truce going back many years – I often joke that it is elemental, with a mind of its own, since I can never get it to do anything more fancy than being braided. Fortunately, I was able to find a simple style and, with a little practice and a couple of hair combs, I did it. As mentioned in a previous blog, I had several options in footwear, two of which are pictured. With black flats (to accommodate a recovering sprained ankle) and a retro-vintage black purse, I was ready to explore this character from a bygone era and to learn what makes her tick.

My first observation was the weather – it was a warm day and the dress was made from a fabric that didn’t breathe. That is, while the material wasn’t heavy or thick, the dress would have been better worn on a cooler day. I had an immediate and better understanding for the mirrored compacts (to powder one’s nose) and the handkerchiefs (to blot any sweat) that women kept tucked neatly in their handbags. To add to the experience, I had Tommy Dorsey’s music playing on my phone, which added an extra spring to my step as I walked (fair warning – one cannot walk to Big Band/swing music, one dances). And the barista at my favorite coffee shop went above and beyond her duties to help me in my research and switched the music stations. [3] Big Band played over the speakers, helping to create and enhance the mood while I enjoyed my drink and wrote down my thoughts, observations and general experiences.
My decision to dress as the main character for one of my stories is similar to the work I would do in developing the back-story to an established character in a play. The more details you find, the richer and more interesting the character becomes. And this influences the story and engages the other characters, creating a deeper experience, whether to a live audience or to a single reader.
[1] Theater is a great tool for writers in terms of plotting, story, and character. By embodying the character and becoming a part of the story, one develops a better sense of timing, fore-shadowing and motivation. I highly recommend seeking out scene study/acting classes in your area.
[2] Exercise – find a suit or a dress or some other article of clothing you don’t normally wear. Observe how it makes you feel, both emotionally and physically (Happy? Energized? Sad? Sexy? Lazy? Angry? Dumpy?), as well as how the fabric feels against your skin. Walk around, do your daily tasks and write down any details that you notice as you go about your day. It is absolutely not necessary to do what I did and walk around town – you can stay home for this.
[3] As a ‘thank you’, I’m bringing her some saltwater taffy.
Recommended:
Tommy Dorsey – Greatest Hits (CD)
Glenn Miller – Greatest Hits (CD)
Leave a Reply