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J. J. Brown, Wordslinger

"I Sling Words As I Go Along."

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Writing

So, with Novel Now Finished back at the editor…..

……I’m spending my time waiting for its return by bumbling around with the sequel.  So many changes have occurred within Novel Now Finished that a lot of the background I’d written has gone by the wayside and no longer seems pertinent.  Still, there are some things I’m able to recycle into the sequel, with a minor tweak here and there, and I’m curious to see where these bits will fit in.

“A writer writes, always.”
Billy Crystal,
Throw Momma From the Train (1987)

Some, as I’ve mentioned, are a part of the Narrator’s background and history.  A character that I’d had to excise from Novel Now Finished will be introduced here, a prospect I’m looking forward to, as he was rather charming and amusing. [1]  Then there’s the added question about why the Narrator displays such a lack of interest in some areas of her past, which could be developed into a significant sub-plot.

So far, I’ve got a basic story-line written out and an idea of what happens, but it’s the details that will get me every time.  Many of the questions raised in Novel Now Finished will either be answered (fully or in part) or re-directed; some of the answers may produce more questions for the Narrator to ponder.  I do know that a lot of it will center around the circumstances that led the Narrator to where she is at the start of Novel Now Finished.

And while that doesn’t seem like much, it’s actually a lot.

 

[1] It helps that he and the Narrator have great chemistry.

So, I’ve got some of my ’40s character pieces together…..

……the dresses, the shoes and such.  I’ve got options on the shoes – flats, sensible heels, and a slightly sexier pair of Mary Janes.  The latter will probably not be worn, as this is more about getting to know the Character and her day to day experiences.  Since I already know she’s not interested in keeping up with the latest fashions (unlike her older sisters), I’m not going to worry about a glamorous look for her.

At least, not yet.

Right now, I’m more interested in getting to know her from the inside out, much like an actor works to get to know their role in a play or film.  [1] This means I’ve got to ask questions and make note of my discoveries in my journal.  Questions may range from Does she have a speech impediment, or a upper crust dialect?Does she have nervous habits and how do they manifest; Is her posture more formal when with her family and relaxed around friends? and everywhere in between.

Which brings me to my desire in dressing the part.

My reasons in dressing as this Character is to figure out her physicality and how she moves in the clothing and shoes of the period circa 1942.  Women wore a significant amount of layers, more then than we do now, and those layers affected how they moved and felt.  This includes their footwear.  It’s one thing to walk around in sneakers and jeans (as I generally do, since I’m a walker), but to be able to walk a significant distance even in flats (let alone the thick, sensible heeled shoes I’m pondering on wearing) has me aghast at the idea of putting my feet through a tortuous ordeal. [2]

But…..I want to know these things, so as to better inform the Character’s personality and the choices she makes.  It will give me the little details I might have missed had I not chosen to dress the part.  And until I start, I won’t know what those details will be.  That’s the beauty of this path in discovering who the Character is.

Sometimes, to know the character, you’ve got to dress the part.

 

 

[1] As an actor, I found that the more I asked why my character was in the story, the more reasons I uncovered that added layers to what might at first glance be a flat character.

[2] Already, my feet are putting in notices of protest.

So, I’ve got a new character and an idea……

…….of sorts for her story.  I’ve been thinking of it as a short piece, maybe 30k to 40k words, but as any writer will tell you, the length is usually determined by the characters and plot.

This particular story and character came into being while I was at work at the hardware store – a rather unpleasant customer had me wishing I could lay a curse on him or turn him into an unpleasant critter.  Which, karmically speaking, would be a bad move on my part.  I mean, who wants the energetic kick-back on that kind of act?

But I did get a story out of it, so that’s where my energy is going.  And that’s a positive way to deal with negative situations, people or feelings – turn them into art, whether it’s a poem or a painting or something in between.

This story has a light sense of humor attached to it, which is very good.  Some of the stuff I write feels like it comes out of a dark place, whether I intend it to or not.  From character to story, that darkness has helped build a lot of fictional worlds for me, and I’m grateful for those tales I created.  I don’t expect to stop writing them.

In any case, I’m wildly curious about this new story and the lightness and humor that feels attached to it.  I can’t wait to find out more about this character, the world she inhabits and the the town she lives in.  It feels like a completely different type of story than what I’ve written before, much like my Saucy Speakeasy.

And with the cursing of a customer, I’m about to find out what happens next.

So, I’ve rediscovered writing in long-hand…..

…..something I’d always done up until about seven years ago, when I switched entirely to writing my novels and scripts directly onto a Word or Final Draft document.  This was in large part due to a trauma that affected me in such a way that writing in long-hand felt too intimately connected to my brain.  It would take three novels and a stage script before I found my way back to using pen on lined paper again.

Imagine trying to implement corrections using a typewriter!

I think it would be fair to say that the project that drew me back to writing in long-hand was, perhaps, a little ironic.  The setting of the story is in the 1920s, decades before computers would replace the typewriter, a time when pencil or pen was also a more commonly used method to write down ideas, create poetry, stories and develop essays.  This particular story is about passion, sensuality and love between two people, a particularly intimate story that has presented many challenges.

Pen sketch; note the rather arrogant look in his eye.

And that’s how writing long-hand is to me – an act of pure intimacy between the mind and the page.  I love watching as the ink swirls across the page, forming words or shapes or quick sketches of horses.  It’s almost never planned, those words or images – I often allow myself to go into a kind of trance and allow my subconscious to go where it wills.  There’s something hypnotic about the way my pen feels in my hand, pressed against paper, as I try to keep up with the story playing out in my imagination.

Which is not always easy to do.

And which is always the challenge.

So, in the fall of 2016…….

……while working on my first round of notes from my editor, I had the conscious thought that Novel Now Finished would be a life changer.  At the time, I thought it would center around picking up a book contract from a publisher (and it may well do).

Working on edits.

However, as I’m working on incorporating changes based on my editor’s note, I’ve been slowly coming around to the idea that there is a deeper meaning to my original thought.

One of my editor’s most constant notes to me is about giving my Narrator more agency in her own story.  To have her make smarter choices and decisions, to have a more active role in the events that surround her.  To not rely on someone else to get her out of a situation or give up her identity in the process.  In essence, I was being asked to give her the opportunity to own her life and see what happens.

Whether it’s moving home (Secrets & Howls), dealing with trauma (The Pike Horse) or even being open to true love (Much Ado Over Murder), I’ve noticed that I’m often working on stories that reflect what has happened or is currently occurring in my own life.  I often won’t recognize these elements until much later, but I’m not surprised that Novel Now Finished is following this trend.

I’ve described Novel Now Finished as being about a woman who comes out of the shadows and not only reclaims her power, but embraces it.

Guess what’s going on in my own life, right this minute?

So, I’m working on Novel Now Finished revisions……

…….adding snippets of information back into the story and taking a section that’s summarized and make it into a full-fledged scene.  The snippets are back in, after a couple of tense hours of wrestling with phrasing and word placement.  That was easy compared to what I now have to do with the summarized bit that needs to be a full on scene.

First, I had to print out the pages that contain all that summarizing.  Why?  Because it’s long enough that it actually requires its own scene.  Therefore, it’s too long to remember it without hard copy to reference.  Having a hard copy makes it easier to transform the summary into an active scene.  I will most likely be writing this out in long-hand, in a hand dandy notebook that I keep in my backpack.  I don’t like carrying my laptop around for something that I’ll most likely be spending more time thinking about than writing about.

The Manuscript in Question.

Simple, right?

It gets complicated.

How does it get complicated, you ask?  It’s just a summarized form of the action, it should be easy to flesh out.  You’ve got a pen, a notebook, the printed copy of the necessary pages.  There are ideas swirling and creative juice going.

How is that complicated?

I’m glad you asked.

I still need to figure out who’s Point of View this is being told from.  Is it the retired captain?  The vagabond?  The lovesick girl?  The vampire in the basement?  Professor Plum in the library with the knife?

So many questions……

So, I finished revisions on Novel Now Finished…….

…….and I feel pretty good about it.  Granted, I merged to short chapters to make a more robust single chapter, effectively losing one.  And I had to go through the tedious process of re-naming two minor characters and almost missed a couple of places.  Also, there was the general clean-up of the timeline and removal of dialogue that conflicted with said timeline.

The Manuscript in Question.

Still, it was well worth the effort and I feel very pleased.  As soon as I’m able and depending on availability, it then goes back to my editor with her laser gaze and keen intellect.  If it hadn’t been for her, I would not have gotten Novel Now Finished to its current state.

Now, as I set it aside once more to percolate, I’ve found myself thinking about two characters who appear only once.  They have a short scene that takes place in 1924 and both characters figure prominently in my first published novel, Secrets & Howls.

Outside the narrator of Novel Now Finished, they are my favorite characters.  I’m fascinated with their relationship, their passion and their places in the world.  In Secrets & Howls, they are older, wiser and still very much in love with each other, though they live their lives separately, a choice that seems to suit them.  In Novel Now Finished, they are young and impetuous, bold and secure.

I think they deserve their own story.  I want to get to know them and their world a little better and see how their lives unfold.  Maybe a short story, or a novella.  It needs to be something that will compliment the world I’m building.

Something to chew on, anyway.

So, I’m about thirty chapters into Novel Now Finished revision…..

……and it’s going.  I’ve finally worked out the timeline of the novel from beginning to end and it comes out to about a week.  While there’s a lot going on, the bulk of the action seems to be happening on the weekend, beginning on Friday and ending on Monday.

A lot always seems to happen on the weekend.

Had I thought about it a little more, I would have set up Novel Now Finished much in the same way that I had set up Secrets & Howls.  In that book, I had designed it to take place over the course of a week.  To clarify this point, I placed an independent page stating the day of the week, followed by the chapters that took place over the course of that day and then ended the day with a segment of a letter from 1852.  Then it would start all over again, until the novel ended with the final fragment from 1852.

But it was also a different kind of story than Novel Now Finished, which had always felt more fluid with its time than structured.  This is in part due to the fact that Secrets & Howls is told primarily in third person, with the ability to dip into the lives of various other characters and places without breaking the narrative.  Novel Now Finished is told in first person and, with very few exceptions, remains that way throughout.

Still, in keeping a timeline for any novel, it helps to keep the story’s continuity flowing and if you’re really on top of it, you’ll catch errors before it goes into print.  Whether it’s in third, first or second Point of View, it’s a helpful aid in keeping track of your characters and their actions within the story.

All I can say now is, whew!

The Manuscript in Question.

 

So, I’m revising Novel Now Finished…..

……and apparently, it decided that, yes, there is indeed a timeline.  Which I already knew about, because the bulk of the story takes place a few weeks before summer.  I wasn’t particular about the exact dates beyond the number of days between separate incidents.  And for the most part, it seemed to work swimmingly.

Except, now I’m going through and cutting needless words and cleaning up paragraphs that are left behind.  And the more I cut and revise and clean up, the clearer the story becomes.  And the clearer the story gets, the more details I’m finding about the timeline.  Vague, throwaway lines like “Oh, it happened a few days ago” will find it harder to survive.  Concise statements like “It was on Sunday” will take over.

So now, I’ve got a Word document in place to keep track of the timeline and help minimize confusion (which would be mine). This will also help keep it clear and concise for readers (which would be you, if I may be so lucky).  As of today, I’ve managed to track one week, beginning with a case of vandalism.  It’s a few sentences long, with the timeline basically being the day of the week, followed by a dash (-) and a short sentence describing the event that occurred on that day.

I haven’t decided on actual dates beyond the month, but that will change at some point.  I’m a little over a hundred pages into the revision as I write this blog, but as I go along, that timeline will grow and become as detailed as necessary.

And then I’ll go back and do it all over again.

The Manuscript in Question.

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