…..(henceforth referred to as Novel Now Finished), I had a fairly diverse cast of characters. I knew their histories, what the relationships were, what they did for a living, and their favorite flavor of ice cream. The names I researched and chose for them reflected aspects of their personalities – a lot of the time, it was right on the nose. Sometimes it wasn’t and I’d have to come up with a new one, with the help of friends.
In Novel Now Finished, one character had a tendency to change his name almost every time I revised a draft of the story. He was quite annoying about it, too – lucky for him, he’s also a very charming and forthright fellow, a practitioner of law and magic, and quite handsome to boot. So, right up until the eighth revision, I kept him in the story, enjoying his easy repartee with the narrator. However, because I was having difficulty finding a way to introduce and establish his character early on, my editor suggested that he be removed and his scenes saved for the sequel.
This was not an easy decision to make – I didn’t want to lose him and I fought hard to find a way to keep him in Novel Now Finished. I tried to at least plant seeds of his presence early on through dialogue by way of other characters, but could not actually place him physically (so to speak) in an early scene where he and the narrator could meet and interact.
Did I mention that he was also the romantic interest?
Anyway, I ultimately excised him out of Novel Now Finished and saved his scenes to a separate Word document.
What happened next was unexpected – the story died.
I mean, it was still a good story, I still enjoyed the characters, but…….it had lost any sort of energy to draw me in. And because I no longer cared or had any enthusiasm, Novel Now Finished became a chore to re-write scenes, even to open up the document. Even my editor felt that it had gone as far as it could go, that maybe I should focus on another project. My gut said otherwise – I could not let this story go, I knew it would be life-changing, I knew it was important to me, somehow, and not just because it was something I wrote and had worked hard on for three years.
So I sat on the manuscript for six months, with no desire to write another word ever again. Then, when month seven was half-done, I reached out to another editor, to ask her to take a look at it and see what her thoughts were. She agreed and was able to not only give it a thorough read, but to provide notes, as well. One of her first notes was to find a way to make a more solid connection between the prologue and the rest of the story.
I chewed on that for a bit, then added a business card in the opening scene for the narrator to find, which would then confirm and encourage her next move. The business card, I decided, had to belong to someone related to the narrator’s quest. Someone who might be connected to her larger problem, but can also keep secrets, have particular knowledge that the narrator needed, and be part of a profession that has a somewhat dubious track record of being trustworthy, despite the need for trust. Someone who might not be what he seems to be, given where his business card ended up.
Naturally, the Charming Character, who practiced law and magic, was the most obvious choice to belong to that business card. It would allow me to introduce him early on, provide some ambiguity to him until proven otherwise, and it would give the narrator some conflict. And as soon as he opened the door to Chapter One, arguing with his law partner, and almost walking into the narrator, the novel came back to life. The synergy between Charming Character and the Narrator fell seamlessly back into place, but it was new and fresh and made their later interactions easier to accept and believe.
So. What’s the take-away here?
Trust your gut.