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J. J. Brown, Wordslinger

"I Sling Words As I Go Along."

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humanity

So, I’m reading Red Mars (1993)…….

……..by Kim Stanley Robinson, in part because I love good science fiction, like Dune by Frank Herbert or Downbelow Station by C.J. Cherryh. I’m also reading it because Mars is starting to look like a nice place to live.

I speak sarcastically. Sort of.

Science fiction is best when speaking to us about our social issues through the prism of the future and technologies that far surpass ours. Star Trek is famous for touching on politics, racism, sexism, war, and religion, among other things. Mary Shelley’s Frankenstein, regarded as the first science fiction novel, dealt with the humanity of the Other.

Set in the (not so distant) future of 2026, Red Mars and its companion books deal with the early days of terra-forming the red planet. Unlike the Genesis Project, which would take minutes as proposed in Star Trek II: The Wrath of Khan, transforming Mars into a hospitable planet would take decades, if not centuries. Against this backdrop of traveling for nine months to Mars and creating a new home on a hostile planet, there are a cast of characters from various countries. Some of these countries are political enemies of each other.

English is the Standard language, which everyone speaks. This is also a hindrance to the American crew if they do not speak another language (1), which then creates another layer of tension. Suspicions arise if a conversation is going on and you don’t know what’s being said. I’m about sixty pages in and, given the enclosed space aboard their ship, the limited number of people and the long voyage out (no cryogenic sleep), pairings, jealousies and intrigue are already creating problems.

That’s where things get interesting. Historically speaking, people pretty much behave the same way, regardless of the time. Science fiction explores the now from the time frame of the future (or the past). Sometimes that’s the most effective way of starting and maintaining a dialogue about social or political issues. If you’re already open to listening to a fictional story, then you’re also receptive to the ideas and perspectives presented.

Sometimes the best way to learn about a new idea or gain a new perspective is to come at sideways.

Image source: 8screensavers.com
Image source: 8screensavers.com

(1) Learning a foreign language is helpful in many ways – it could lead to job opportunities you might not ordinarily find and it is very good for the brain. Also, it will help you navigate should you choose to travel the world.

Recommended:
Red Mars by Kim Stanley Robinson
2001: A Space Odyssey by Arthur C. Clarke
Survival by Julie E. Czerneda

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So, I had the opportunity to see a performance of Frankenstein…..

…….featuring actors Benedict Cumberbatch (Sherlock) and Johnny Lee Miller (Elementary), alternating the lead roles of the Creature and his creator, Victor Frankenstein. The novel by Mary Shelley has captured the imagination of people the world over and has been given countless adaptations for film, television and stage, either adhering to the source material or being a loose interpretation. The novel has also been an inspiration in popular culture, ranging from comic books to video games to toys and models.

This stage adaptation written by Nick Dear and directed by Danny Boyle premiered in 2011, at the National Theatre, where it was filmed live and screened in selected theaters across the world. It was given an encore screening by Fathom Events on October 25, 2016, with Cumberbatch as the Creature and Miller as Frankenstein.

It was tragic and beautiful, haunting and horrific. Unlike the Universal classic with Boris Karloff, this adaptation of the novel, Frankenstein gives the Creature his voice and soul as he struggles from his (re)-‘birth’ to find his place in the world. His loneliness and desire for companionship and belonging defines the Creature, even as he is constantly rejected for being physically different than those around him. He is called ‘vile’ and ‘disgusting’, a ‘monster’ and is brutally thrown out, even as he secretly offers his catch from hunting and kindling to keep an old man and his family well-fed and warm.

His desire for love comes in the form of another creation by Frankenstein (Miller). Because of a hellish nightmare of the two potentially having children, he destroys the female creature before she becomes fully animated.

The tale of Frankenstein and the Creature transcends its original time – it is a cautionary tale of blindly following science (Jurassic Park is another example of this); it is a story of a man running from his responsibilities to his creation, thus setting off a chain of events that leads to the deaths of those he holds dear; it is the story of trying to find one’s place in a strange world, of trying to make connections and find love; it is the story of brutal rejection and vilification instead of compassion and empathy.

I first read the novel in high school, as I’m sure many of you have. I don’t recall much of my initial impressions of it, but this theatrical production moved me to tears. I wept throughout a performance that had been filmed five years previously. As cruel and angry and hateful as the Creature became, I understood his hurt, his rage, his desires, his difference.

But where he had been abandoned and abused and vilified and had no one to turn to for any kind of support, I have been blessed with friends and support. By no means has it been perfect, but from the Creature’s point of view, it might be.

Frankenstein isn’t just the first science fiction novel to be written. It is a novel about humanity – those who throw it away (Frankenstein), those who find it (the Creature) and how people react to it in those who are not like themselves.

The first step to de-humanizing a person is to take away their identity, their humanity.

There is a reason that the Creature in the novel has no name.

We are the Creature. And we are Victor Frankenstein.

And I continue to weep.

frankenstein

Recommended:
Frankenstein by Mary Shelley
The Last Man by Mary Shelley
Mary Shelley (Biography) by Miranda Seymour
Romantic Outlaws (Mary Wollstonecraft & Mary Wollstonecraft Shelley) by Charlotte Gordon

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