Search

J. J. Brown, Wordslinger

"I Sling Words As I Go Along."

Tag

mystery

So, My Haunted Theater Story……

…..is approximately five to ten pages from being finished. Adapting the screenplay into narrative form has been an interesting experience so far – frustrating at times, but a lot of fun in seeing how it would turn out.

Overall, I’m really happy with the result – it’s uneven in places, because narrative fiction and screenplays are completely different animals and what works in one doesn’t translate well in the other (or at all). So, that’s where I have to get creative and figure out how to resolve things so that it all fits together in a seamless manner.

An empty theater. 📸 J.J. Brown

This will often occur after much gnashing of teeth; long walks from one’s front door to the next state (this would actually be an easy feat to accomplish, if one lives close to the state line 😉 ); staring at the empty page or the blinking cursor on the computer; endless cups of tea (or, if you want to get Hemingway about it, whiskey). But that light bulb thought will happen, the solution will appear, and the tying of scenes together will happen organically.

For any of it to be seamless, however, requires a LOT of revision, re-writing, and removing of bits from one place either entirely or to put them somewhere else.

But that’s okay.

When the first draft is done, the rest is a piece of cake.

Sort of.

So, I’m Adapting My Screenplay….

…..into a novel, an exercise I’d been considering for awhile now.

This particular screenplay is something I wrote many years ago, more as a response to the Women as Victim trope that was prevalent in film (and TV) than with any real hope of getting it produced. It’s a very dark piece, probably the darkest bit of writing I’d ever done before or since, but it was a very satisfying story to write, not the least of which was turning the tables on the afore mentioned trope.

The fact that this particular trope has yet to be retired suggests that this screenplay (soon to be turned into a novel) is still relevant.

For the most part, not a lot will change within the narrative as I shift the story from one medium to another. At least two of the characters are going to go through major revisions, but this is due to the fact that they were not clearly defined in the screenplay. One character didn’t have a direct connection to the story arc in the script, but in the novel, I can correct that.

Because this is a thriller with elements of police procedural, there will be some major research to undertake. I’ll also be delving into Greek mythology, Shakespeare, and music to underscore some of the themes I’m planning to incorporate into the story. True crime writers will also be a source of information and inspiration.

I’m looking forward to seeing where this project goes.

So, 2021 will be the tenth anniversary….

……..of my novel, Secrets & Howls, being published. In anticipation of this, I’m revising it and remembering how I really loved working on it. The story opened pretty much as it does now, with a character moving into the sleepy village of Wolf’s Head Bay. As it happened, two very different plot lines featured characters moving into town (Elizabeth Phillips and her son and Marita Brye, the main character), but originally, it wasn’t the Marita we followed in the opening pages, but Elizabeth. I realized early on that the opening could stay, but only if it was Marita.

This meant merging the similar plots to reflect Marita as the primary focus; Elizabeth became a local resident and secretary in the local police department. I also had to integrate a series of letters from 1852 to end each calendar day in the book (which takes place over the course of a week). Then, to keep things interesting, I pretty much threw everything into the story. Except the kitchen sink – that would have been too much.

In the last few years, however, I’ve grown as a writer, thanks in large part to my editors. There are still four more books to write in this series and I’ve got the second one mapped out, with room for making detours along the way. Now, with my most recent novel complete and ready for submission, I’ve decided to go back to Wolf’s Head Bay and see what needs to be done.

It’s still a solid story, but I’m enjoying the revision

Review: The Bill Hodges Trilogy by Stephen King

Mr. Mercedes (2015)*

In the frigid pre-dawn hours, in a distressed Midwestern city, desperate unemployed folks are lined up for a spot at a job fair. Without warning, a lone driver plows through the crowd in a stolen Mercedes, running over the innocent, backing up, and charging again. Eight people are killed; fifteen are wounded. The killer escapes.
In another part of town, months later, a retired cop named Bill Hodges is still haunted by the unsolved crime. When he gets a crazed letter from someone who self-identifies as the “perk” and threatens an even more diabolical attack, Hodges wakes up from his depressed and vacant retirement, hell-bent on preventing another tragedy.
Brady Hartsfield lives with his alcoholic mother in the house where he was born. He loved the feel of death under the wheels of the Mercedes, and he wants that rush again. Only Bill Hodges, with two new, unusual allies, can apprehend the killer before he strikes again. And they have no time to lose, because Brady’s next mission, if it succeeds, will kill or maim thousands.

Finders Keepers (2016)

“Wake up, genius.”
So announces deranged fan Morris Bellamy to iconic author John Rothstein, who once created the famous character Jimmy Gold and hasn’t released anything since. Morris is livid, not just because his favorite writer has stopped publishing, but because Jimmy Gold ended up as a sellout.
Morris kills his idol and empties his safe of cash, but the real haul is a collection of notebooks containing John Rothstein’s unpublished work…including at least one more Jimmy Gold novel. Morris hides everything away before being locked up for another horrific crime.
But upon Morris’s release thirty-five years later, he’s about to discover that teenager Pete Saubers has already found the stolen treasure—and no one but former police detective Bill Hodges, along with his trusted associates Holly Gibney and Jerome Robinson, stands in the way of his vengeance….

End of Watch (2017)

For nearly six years, in Room 217 of the Lakes Region Traumatic Brain Injury Clinic, Brady Hartsfield has been in a persistent vegetative state. A complete recovery seems unlikely for the insane perpetrator of the “Mercedes Massacre,” in which eight people were killed and many more maimed for life.
But behind the vacant stare, Brady is very much awake and aware, having been pumped full of experimental drugs…scheming, biding his time as he trains himself to take full advantage of the deadly new powers that allow him to wreak unimaginable havoc without ever leaving his hospital room.
Brady Hartsfield is about to embark on a new reign of terror against thousands of innocents, hell-bent on taking revenge against anyone who crossed his path—with retired police detective Bill Hodges at the very top of that long list….

The first Stephen King novel I read was Carrie. I was ten years old and it captured me in a way that not much else had, at least not until Shakespeare, but I wouldn’t get to him until I was twelve and on a visit to my grandparents’ house. I’ve been reading King ever since, the most recent novel being Revival.  There are my favorites (readers of my blog know of my love for IT, but others are The Dark Tower series, The Shining‘Salem’s Lot, and The Stand, to name a few) and there are those that are not my favorites (the early Bachman books, Gerald’s GameDuma Key, and a few more).  There will be a time when my least favorite of King novels will end up being on my favorites list (this happened when I read Christine), but that’s another post.

I’d heard a lot about the Bill Hodges trilogy, especially when the TV series aired.  But it wasn’t until I saw warnings about connections to King’s latest novel, The Outsider, that I decided I should read the trilogy.  It took a couple of weeks to work my way through Mr. Mercedes, but it’s the first act of a three-act play – that’s always the toughest part.  Characters are introduced, their stories are established and clues are dropped about how things will pan out later on in Act Three.

By the end, however, I was hooked.

I had had the foresight to pick up a copy of Finders Keepers shortly before finishing the first book.  This one was finished on the morning of Friday, July 13th.  Within hours, I had a copy of End of Watch in my hands.  At around eight o’clock on the morning of July 14th, less than 24 hours after I’d bought it, I had finished it.

So – here are my thoughts, such as they are.

Bill Hodges, a retired police detective, is joined by Holly Gibney and Jerome Robinson as he tries to track down first the Mercedes Killer; then tackles a case involving two unpublished novels; and wraps it up with a series of deaths that aren’t quite what they appear to be.  The twists, the turns and the uncertainty play out as I cringe with each act of violence, worry over a particular character’s choices that may not be the best ones or weeping at the final words of the story as a whole.

From start to finish, I was on a literary joyride.  I had no desire to go about my daily life – work, hang out with my horses, talk to friends, for example.  All I wanted was to curl up and live inside these tomes, taking part in what Stephen King himself describes as a portable magic.  When I pick up a Stephen King novel, I don’t merely read them – I breathe them, live them, inhabit them as I follow each character down their unique path.  I can almost taste the air they breathe, feel the dirt that digs itself into their clothes or under their nails.

There have been times when I would come out of reading a book, having tuned out the world around me so completely that I felt like I was surfacing from the deep blue sea.

This trilogy was no different.

 

Rating: Five out Five stars.

*All book descriptions are from the covers.

Review: Picnic at Hanging Rock (1967) by Joan Lindsay

Description:

It was a cloudless summer day in the year 1900. Everyone at Appleyard College for Young Ladies agreed it was just right for a picnic at Hanging Rock. After lunch, a group of three girls climbed into the blaze of the afternoon sun, pressing on through the scrub into the shadows of the secluded volcanic outcropping. Farther, higher, until at last they disappeared. They never returned. . . .

The first time I read Picnic at Hanging Rock, I was maybe 13 or 14 and had come straight off seeing of the movie of the same name (directed by Peter Weir) on TV.  Both the book and the film carry the narrative in a strangely quiet way, trusting the story to invite and beguile readers and viewers for years to come.  For me, with my love for all things unexplained and mysterious and slightly supernatural, that made it all the more haunting.

In my recent re-read of the book, I was reminded once again of how the quiet voice of the omnipresent narrator slips past one’s guard.  It insinuates itself into one’s thoughts as it tells the story of a women’s school in 1900 Australia.  Like Shirley Jackson’s The Haunting of Hill House or We Have Always Lived in the Castle, the subtleties at play require one’s full attention or you’ll miss the clues that paint the final picture.

There are a variety of characters that work against and play off of each other – from unpleasant and cruel (Mrs. Appleyard), to the ethereal (Miranda), to the lost and hopeless (Sara).  And while there are a few male characters one might think of as leads (Arthur and Mike), this is primarily a story about women.  It’s about how, in the aftermath of the events at Hanging Rock, their lives change from existing in the protective web of their expected roles in society to the uncertainty of life’s cruelties and uknowns.

Told in the frame-work of being based on actual events, Picnic at Hanging Rock has haunted many readers over the years.  It has also inspired many amateur detectives determined to solve the mystery of two missing schoolgirls and their teacher.

In essence, the book and the movie are to 1967 what The Blair Witch Project was to 1999.

My rating: 5 out of 5.

This haunting tale can be found at your local bookstore or online.

So, I binged the first six episodes of Twin Peaks: The Return (2017)…..

…….and let me first just say one thing.

Holy Douglas fir trees, Agent Cooper!

There are so many details to marvel at, that I’m not even going to attempt to put them into words.  I will, however, wax rhapsodic over how the story evolved over these six episodes, going from disconnected, strange pieces to what appears to finally settle into some kind of pattern that I’m not entirely too sure of, yet.

There won’t be any spoilers in this post, mainly because instead of focusing on the show itself, I’d have been writing down what happened as it happened.  That’s not conducive to enjoying the show.  I expect that, when I have this season on Blu-Ray or DVD, I’ll be going over it again and again and again, to catch every little detail.  Because that’s what the Pause and Search buttons on the remote are for.

“I’ll see you again in 25 years.”

So said Laura Palmer Dale Cooper towards the end of Episode 29 of the original series (22, if you’re going by season).  It was worth the wait and I’m glad I was able to watch multiple episodes of Season Three.  It would have been nerve-wracking waiting for it each week, trying to keep up with the details and the symbolism and what it all means.

Laura Palmer still seems to be the main thread that runs through the entire story of Twin Peaks and Dale Cooper is still trying to unravel it – or reweave it into a new pattern.

In any case, I have to wait on seeing the next few episodes.  As nerve-wracking as that may be, I’m glad – being able to binge-watch several episodes actually helps keep the continuity flowing and I went from seeing multiple, seemingly unrelated episodes scatter different pieces around to watching as they started to coalesce into something concrete.

What that is, I’m not entirely certain.  But I’m looking forward to finding out.

What I call Gordon Cole’s The Blue Rose Missing Pieces Edition.
Because I can.

So, I’ve wrapped up my Twin Peaks re-watch…..

……and, as always, it was a fun trip, filled with secrets, damn fine coffee and people who are both familiar and strange.  It refreshed my memory of what happened to the characters before and after the mystery of Who Killed Laura Palmer.  It also raised new questions in light of the images that the new series has released from the new season.

I stopped trying to avoid spoilers or commentary about the season.  My reasoning for doing so is this – it’s David Lynch.  One could create an entire university in order to study his methods, his ideas and his philosophy and not get any closer to understanding than “He’s different; he creates thought-provoking material; I don’t get it, but I like it”.

Or not, as the case may be.

In any case, I’m looking forward to immersing myself into this unexpected and much-longed for third season of Twin Peaks.  It’ll be nice to see how the citizens of this fictional town have fared over the years, what they’ve been up to and how their stories will unfold.  I wonder if the owls are still not what they seem and if music is still playing in the air.

I’ve got my coffee brewed and my snacks allocated.  I can’t eat donuts or pie anymore (sugar gives me a headache), but I think Dale Cooper would approve.  The Good Dale, anyway.  I’m sure the Bad Dale would scarf down anything he chose to.

What I call Gordon Cole’s The Blue Rose Missing Pieces Edition.
Because I can.

So, I’m catching up on Twin Peaks Seasons 1 & 2……

…….and the feature film (along with the missing pieces), in part because I love the show and it’s always good to pay a visit to the town with the best damn coffee (and hot!).   But also because Season 3 is now upon us.  And with the owls not being what they seem, I’m excited that it’s happening again.

Unfortunately, I have to wait another week or two before I can start watching the long-awaited third season, so you can imagine the minefield of spoilers I have to navigate.

That said – No Spoilers, please!!!

I’m having a hard enough time avoiding some of the images and some articles analyzing the new episodes.  Some of it is easy to avoid looking at and I’m saving them for later reading, after I’ve caught up with the first few episodes.

Although, that also being said – am I the only one noticing a similarity between Chet (Invitation to Love) and Dougie Jones/Alternate Cooper?

Don’t answer that!

What I call Gordon Cole’s The Blue Rose Missing Pieces Edition.
Because I can.

Review: The Shadow Land by Elizabeth Kostova (2017)

From Amazon’s book description:

A young American woman, Alexandra Boyd, has traveled to Sofia, Bulgaria, hoping that life abroad will salve the wounds left by the loss of her beloved brother. Soon after arriving in this elegant East European city, however, she helps an elderly couple into a taxi—and realizes too late that she has accidentally kept one of their bags. Inside she finds an ornately carved wooden box engraved with a name: Stoyan Lazarov. Raising the hinged lid, she discovers that she is holding an urn filled with human ashes.

As Alexandra sets out to locate the family and return this precious item, she will first have to uncover the secrets of a talented musician who was shattered by political oppression—and she will find out all too quickly that this knowledge is fraught with its own danger.

I picked this book up about a week ago, primarily because I’d read Kostova’s The Historian years earlier and fell in love with the world she evoked.  Also, Vlad Tsepes (inspiration for Bram Stoker’s Dracula and terrifying historical leader) was the driving focus of the story.  Kostova’s voice is rich, intelligent and literary, but she never talks down to her audience.  Rather, she invites us in with simple human concerns that we all share – letters, lost luggage, art. Upon accepting that invitation, we stumble into a world that is both familiar and alien.

The Shadow Land is another such invitation.  Set in Bulgaria, both during the aftermath of World War II and the (recent) present, I wasn’t sure what to expect, beyond the book description.  But I remembered The Historian and how much I loved that book, so I was more than willing to give this one a chance.

I.  Could.  Not.  Put.  It.  Down.

Every chance I could, when I wasn’t at work, or working on my own projects or learning French or being out with my horses or friends, I was curled up with this book.  I tuned out this world that I live in and poured myself into this story.  As a voracious reader with a habit of re-reading favorite titles, this one is definitely in for a re-read.  I’m sure there are details that I missed on the first go round.

That said, I do have a minor quibble – the romance between Alexandra Boyd and a character barely seen, but highly romanticized in daydreams by Alexandra, seems idealized.  It does not feel based on real feelings or real interactions – I actually found her relationship with Bobby, her taxi driver, to be far more interesting and intimate than what actually occurred.

Overall, however, it is a minor quibble, it is my quibble and I intend to push this book on anyone who will listen.

My rating: 4.5 out of 5.

The Shadow Land                        by Elizabeth Kostova

Blog at WordPress.com.

Up ↑

%d bloggers like this: