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J. J. Brown, Wordslinger

"I Sling Words As I Go Along."

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plays

So, I’m revising my Ancient Greek Comedy…..

……where chaos reigns and ancient mythologies collide.  And that’s on a good day.

Most of the characters are based on the Greek gods and goddesses, but as I revise the play, I’m paying more attention to other mythologies.  I make reference to a number of them within the dialogue, but I actually want to have the other ancient mythologies represented.  To do that, I’m looking to give them a voice and space.

Since the ancient gods and goddesses are archetypal (ex. Athena is an archetype of war and wisdom), I’ve tagged a couple of the speaking roles to change over to a different mythological god/dess.  It’ll be interesting to see how that works out, especially among mythologies that aren’t as readily identifiable, like the Greeks or Romans.  Archetypes are common throughout every culture and myth.  One of the reasons the ancient mythologies and plays resonate today is because we can still see ourselves and circumstances in those archetypes thousands of years after they were first staged.

There is, naturally, a Chorus, because what ancient play – Greek, Roman, Egyptian, (fill in the blank) – doesn’t have a Chorus, the impartial conscience and voice of the play itself?  Generally, the Chorus’s role in the ancient plays (particularly the Greek ones) served to comment on the action within the context of the play.  My Chorus sings about the action, what the situation is and offers back-up to Hera and Juno when they discover that their philandering husbands are one and the same (for my purposes, Zeus is Zeus and created his Roman counter-part, Jupiter because his ego determined that he can).

And what ancient play is complete without music?  This play was inspired by the music of the Eagles and music has always played a part in grounding my stories to a time and place and feeling.  I even created mini-soundtracks for my screenplays, each song triggering a scene or a moment that demanded to be put down on paper.

But, while writing this play, I encountered a significant problem – I’m not a musician and I don’t know how to write song lyrics.  How am I to incorporate music into this play, other than to use and pay royalty fees for previously recorded music?

Fortunately, I am blessed to know several local musicians who have become very dear friends over the last few years.  During a conversation about my play, I mentioned my concern over how to incorporate music.  Unanimously, they said, “We’ll do it, all you need to do is ask, and it’s done.”

So now I have music and possible lyrics.  I promised to have my song ideas for them upon completion of this current revision.  My goal now is to find the right places for the songs to go and carry the story forward.

I have the feeling, however, that Zeus will make every effort to make it all about him.  Because that’s his nature.

Title and cast list of Hotel Mt. Olympus.
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So, apparently it’s Shakespeare Sunday…..

…….where quotes from the Bard and his many plays are shared liberally and with love all over the internet. There are so many plays to choose from, so many lines and thoughts to suit any occasion, that it quite boggles the mind. No, that’s not a Shakespeare reference, although, since he did invent more than a thousand words, one could be forgiven for thinking so.

William Shakespeare’s works are a huge influence on me as both a writer and an actor – I began reading his plays at the age of twelve and performed in The Merchant of Venice at the age of twenty-one. His use of language is exciting, creating visual images through words and drawing us back in time to experience the lives of those who came before us. From Ancient Egypt to his own historical kings in Scotland and England to fantastical islands where magic is as natural a resource as water, Shakespeare has given us works that transcend time and place.

Unfamiliar with the Bard? Check out some of the films based on his plays – from Laurence Olivier to Kenneth Branagh, there are excellent and engaging adaptations that make the words and worlds of William Shakespeare accessible.

“But this rough magic, I here abjure, and when I have required
Some heavenly music, which even now I do, To work mine end upon their senses
That this airy charm is for, I’ll break my staff,
Bury it certain fathoms in the earth
And deeper than did ever plummet sound,
I’ll drown my book.”
Prospero, The Tempest

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