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J. J. Brown, Wordslinger

"I Sling Words As I Go Along."

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screenplay

So, I stumbled across an old screenplay……

……that I wrote twenty years ago, while searching for old magazines for an art project.  Only the first few pages had been typed, the rest were in long-hand.  So I put everything aside and read the old script, curious at what my younger self had produced.  It’s a romantic comedy involving a video store, a matchmaker with a mysterious background, a search for the film To Have and Have Not and the ghost of Humphrey Bogart.  It was with some surprise that I realized the story held up really well. 

A page from the old script.

It’s not a perfect screenplay, by any stretch of the imagination, but it had genuine feeling and heart and that’s where art begins to fly.  And so I put it on my desk, with thoughts of going back into it and revise it into something…..new and exciting.

At the same time, I’ve been contemplating revising my Saucy Speakeasy story and setting it in modern times.  As much as I loved the appeal of the Roaring Twenties, the music and the threat of danger lurking when dealing with illegal hooch, Saucy Speakeasy just was not working out the way I’d hoped.  I had written some brilliant moments and one incredibly intimate and sexy scene that I still blush thinking about. [1]

An old concept photo for the Saucy Speakeasy Story.

Then it dawned on me – I could merge both stories into one, creating an external conflict that was missing in both stories; fill in the blanks within the screenplay; bring a level of humor that was lacking in the speakeasy story; and flesh out the characters of both.  Instead of a video store, there’s an antique bookshop located in the building above the speakeasy.  There’s a meet-cute, a clueless bookshop clerk and, yes, a somewhat supernatural element. 

Taking two stories and merging them into one is not a new idea to me – I had taken elements of a short story to add to Novel Now Finished.  It ultimately created an unrealized subplot and opened up a lot of possibility to the Main Character’s backstory.  

What I hope to achieve with the screenplay and the speakeasy story is similar – other than the time period, both are about two people who are each other’s equals and find a true partner in love and in life.  And because it is fiction (as well as a romance), there will be the mandatory conflicts, mayhem and misunderstandings.  

The matchmaker may or may not become a part of the story – so far, she has kept that decision close to her vest. 

 

[1] I still can’t believe that I wrote it.

Image by Bitmoji

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So, I wrote a thriller screenplay…..

……while working towards my Bachelor’s degree, lo these many years ago. It was in response to the many films that featured violence against women. It’s a tiresome trope, in my opinion, even when the woman fights back and comes out on top. I mean, really, is that actual agency for a female character in a story? Or for women in real life? Can’t women just be pivotal in a film or story without having it be in response to violence acted against them?

These questions were at the forefront of my mind as I wrote it over a three month period. I did a lot of research in terms of criminology and came up with some interesting ideas, which I then incorporated into the main story. Clues and plot points and red herrings were extremely important to keep track of, as I didn’t want to give away the reveal too early, while setting it up in a subtle and sensible way.

Several male characters were victimized in the same way women had been, both in film and in real life. The female characters had agency and their purpose was not tied to experiences personal to them. One character I knew early on to be the perpetrator of the crimes that take place in the script, but a reader had indicated that it was too obvious. So, I went back in and made a secondary character already in the story not only the perpetrator of the crimes, but also the accomplice of the first character. Now I suspect that there is yet a third character tied to the first two, and I’m curious to explore that.

The funny thing about being a writer is that you never stop working on a project, no matter how done with it you think you are. I’ve never been entirely satisfied with the screenplay, but I attribute that to my own lack of knowledge in forensics and police work (hint: more research to be done here. Yay!). Also, It needed some strategic re-working in several places, which I hadn’t done due to several moves and a return to school for an MFA.

Then it occurred to me, not too long ago, that it needs to be re-written in novel form, a challenge that is exciting for me. Why? Because, despite the incredibly dark themes explored within the context of the story, I had a lot of fun writing it.

Being creative through the arts is about exploring and analyzing and expressing all facets of our experiences, from the light and beautiful to the dark and sinister. It is a safe way to express feelings and thoughts that don’t ordinarily get a voice. Music, painting, writing, poetry, dance – whatever the art form, what feels silenced can be heard.

I haven’t begun working on adapting the thriller screenplay into novel form, yet, but it’s definitely on my work plate. The twist at the end had grown to a double twist and now I suspect that there’s a third twist yet to come.

That’s exciting to me. Do you have a project that’s been teasing you, mocking you, daring you to come back and re-work what you’ve started?

If you do, go forth and re-make that creative project into the art it demands to be.

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