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J. J. Brown, Wordslinger

"I Sling Words As I Go Along."

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stage play

So, while revising my Ancient Greek Comedy……

…….I made creative decisions about some of the characters in terms of gender, personality and role in their mythology.  Since they’re basically archetypal, it was easy to do.

An example would be the character of Catamitus.

In Greek myth, Catamitus is male, one of Zeus’ many lovers and a cup-bearer to the gods.

Title and cast list of Hotel Mt. Olympus.

In my play, I ultimately chose to change Catamitus’ gender to female and remove the lover aspect, but the character is still a cup-bearer to the gods.  Sort of – she’s the manager of the hotel that caters to the gods and goddesses of all mythologies.

Which now leads to the name.

Catamitus is Latin, from the word catamite. [1]  Although I had changed the character from male to female, I did not alter the name.  The “-us” is for the masculine, while the “-a” is for the feminine.  In a flash, I had fixed the problem of a running joke in my play.

Many of the characters never get Catamitus’ name right, often referring to her as ‘Cal’.  It never really quite worked, even though I kept it in.

But.

If I change it to Catamita?  Oh, the possibilities!! The puns!! The gnashing of teeth!!

“Catamita done that” sounds close to “Cat might have done that”.

I can’t wait to dive back into my play and see how that works itself out.

Catamita, on the other hand, might just tender her resignation.

 

[1] The definition of catamite can be found here.

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So, I’m plugging along on my Ancient Greek Comedy….

……and I can feel the tangents wanting to take off and create something new.  This is exciting to me, because it means that this play has a lot to say, that there’s more depth to it than I had originally anticipated.  But because these tangents are too nebulous and without form, I’m making them wait until this revision is finished.

I know, I know, I’m being terribly mean to these tangents.  I mean, they only want to help my Ancient Greek comedy become something truly magnificent.

And I can’t argue with that, because I want the same thing.  Still, this revision has to happen first and then the tangents can come in and do as they please.  If it makes anyone feel any better about it, I write these tangents down to remember them.  That is, if there’s something solid enough to write down.

In any case, I’m delighted to see characters that I’d written out make their way back in,  One character has regained his speech after I took it away from him.  Issues that I have strong ideas and feelings about are working their way in, which is only right.  Theater, and the arts in general, are about exploring ideas (good, bad, ugly) and politics and feelings.  The arts are here to make us think, not just make us feel.  There is something at work within the confines of this play that I can’t readily identify, but it’s exciting to me.

And that’s a very good thing.

Title and cast list of Hotel Mt. Olympus.

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