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J. J. Brown, Wordslinger

"I Sling Words As I Go Along."

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So, I’m revising my Ancient Greek Comedy…..

……where chaos reigns and ancient mythologies collide.  And that’s on a good day.

Most of the characters are based on the Greek gods and goddesses, but as I revise the play, I’m paying more attention to other mythologies.  I make reference to a number of them within the dialogue, but I actually want to have the other ancient mythologies represented.  To do that, I’m looking to give them a voice and space.

Since the ancient gods and goddesses are archetypal (ex. Athena is an archetype of war and wisdom), I’ve tagged a couple of the speaking roles to change over to a different mythological god/dess.  It’ll be interesting to see how that works out, especially among mythologies that aren’t as readily identifiable, like the Greeks or Romans.  Archetypes are common throughout every culture and myth.  One of the reasons the ancient mythologies and plays resonate today is because we can still see ourselves and circumstances in those archetypes thousands of years after they were first staged.

There is, naturally, a Chorus, because what ancient play – Greek, Roman, Egyptian, (fill in the blank) – doesn’t have a Chorus, the impartial conscience and voice of the play itself?  Generally, the Chorus’s role in the ancient plays (particularly the Greek ones) served to comment on the action within the context of the play.  My Chorus sings about the action, what the situation is and offers back-up to Hera and Juno when they discover that their philandering husbands are one and the same (for my purposes, Zeus is Zeus and created his Roman counter-part, Jupiter because his ego determined that he can).

And what ancient play is complete without music?  This play was inspired by the music of the Eagles and music has always played a part in grounding my stories to a time and place and feeling.  I even created mini-soundtracks for my screenplays, each song triggering a scene or a moment that demanded to be put down on paper.

But, while writing this play, I encountered a significant problem – I’m not a musician and I don’t know how to write song lyrics.  How am I to incorporate music into this play, other than to use and pay royalty fees for previously recorded music?

Fortunately, I am blessed to know several local musicians who have become very dear friends over the last few years.  During a conversation about my play, I mentioned my concern over how to incorporate music.  Unanimously, they said, “We’ll do it, all you need to do is ask, and it’s done.”

So now I have music and possible lyrics.  I promised to have my song ideas for them upon completion of this current revision.  My goal now is to find the right places for the songs to go and carry the story forward.

I have the feeling, however, that Zeus will make every effort to make it all about him.  Because that’s his nature.

Title and cast list of Hotel Mt. Olympus.

So, I binged the first six episodes of Twin Peaks: The Return (2017)…..

…….and let me first just say one thing.

Holy Douglas fir trees, Agent Cooper!

There are so many details to marvel at, that I’m not even going to attempt to put them into words.  I will, however, wax rhapsodic over how the story evolved over these six episodes, going from disconnected, strange pieces to what appears to finally settle into some kind of pattern that I’m not entirely too sure of, yet.

There won’t be any spoilers in this post, mainly because instead of focusing on the show itself, I’d have been writing down what happened as it happened.  That’s not conducive to enjoying the show.  I expect that, when I have this season on Blu-Ray or DVD, I’ll be going over it again and again and again, to catch every little detail.  Because that’s what the Pause and Search buttons on the remote are for.

“I’ll see you again in 25 years.”

So said Laura Palmer Dale Cooper towards the end of Episode 29 of the original series (22, if you’re going by season).  It was worth the wait and I’m glad I was able to watch multiple episodes of Season Three.  It would have been nerve-wracking waiting for it each week, trying to keep up with the details and the symbolism and what it all means.

Laura Palmer still seems to be the main thread that runs through the entire story of Twin Peaks and Dale Cooper is still trying to unravel it – or reweave it into a new pattern.

In any case, I have to wait on seeing the next few episodes.  As nerve-wracking as that may be, I’m glad – being able to binge-watch several episodes actually helps keep the continuity flowing and I went from seeing multiple, seemingly unrelated episodes scatter different pieces around to watching as they started to coalesce into something concrete.

What that is, I’m not entirely certain.  But I’m looking forward to finding out.

What I call Gordon Cole’s The Blue Rose Missing Pieces Edition.
Because I can.

So, I’m getting close to writing ‘The End’ on my Novel In Progress….

……and I know this because I’m distracting myself every ten or fifteen minutes.

If it’s not a post on Facebook, or a handful of tweets, or even preparing a few entries for my Patreon page, it’s channel surfing. Or I’m surfing the internet, looking up articles for new story ideas.

I’m procrastinating, in other words.  Not an unusual thing, but a definite habit.  Because once it’s done, it’s done.  There’s no going back…..well, okay, that’s not true, because there’s editing and revising and moving whole chunks of narrative around or eliminating altogether.

The point is, writing ‘The End’ on a story means that I no longer have this project to go back to, in the manner that I’m used to.  Now, when I go back to my novel, it will be to murder my darlings (words, for the lay person) and tighten up the narrative.

I’m distracting myself right now, writing this blog post.  And in a few minutes, that distraction will carry itself over to errands that need doing in town.  Maybe even lunch.

And when all that is done and behind me, I will fire up this computer, open up that document and throw words at it until I have no more.  Take a deep breath, throw some more words in, move things around and I will keep doing that until I am forced to write the inevitable.

‘The End.’

The Manuscript in Question.

So, I’m working on some posts for my Patreon page….

…..setting some of them up to go live at a later date.  I like setting up multiple posts this way, so that I’m sure my subscribers are getting fun things to look at.

“What? The waste basket was trash-talking me.”

One of my tiers features the thoughts and adventures of Henry the Gray (my cat) and Best Bud Mare (my horse).

Henry the Gray is very laid back in his approach to life, which I find admirable.  He’s also somewhat sarcastic and does not approve of changes in his schedule.

His favorite things include: having morning meetings at the kitchen table; early morning inspections of the back yard; late night inspections of the garage; treats.

His dislikes include: vacuums; the garbage truck; the gardeners; having his stomach touched.

 

“Don’t look now, but there’s an apple on the ground behind you. Look out!!!”

Best Bud Mare has come a long way since I met her three years ago, when she was a little bit spooky and not sure of her surroundings or what was expected of her.  Now she comes right up to the gate, to see what I’m doing and always wants to be a part of things.

Her favorite things include: getting her itches scratched with the blue curry comb; taking selfies; learning how to do new things, like having her feet handled by the farrier; eating carrots; having her mane brushed out so that there are no more tangles; hanging out with her human.

Her dislikes include: loud noises; backing into a sneaky fence; being left out of projects; not hanging out with her favorite human; not getting brushed with the blue curry comb; apples.

 

So, their stories and thoughts and observations will be found over at the Patreon page I’ve established.

I’ve left some posts unlocked, so that those who are not familiar with my writing style can have a sample of what I’m offering before they subscribe.  You can find the unlocked posts here, where you’ll also be able to learn about the different tiers and what they have to offer.

Feel free to take a look.

Best wishes.

So, I’ve seen Beauty & the Beast (2017) twice now…..

……..and I loved it both times.  I also cried at the sheer beauty (pun not intended) of feelings it evoked in me, regarding the characters and the story.  This is not a review, only my response to a number of reviews about the film and its flaws.

The most common theme in all of the reviews I’ve read is how it’s Belle who bends and changes first, that it’s her responsibility to change the man, rather than the man doing it of his own volition.

I heartily disagree with that assessment.

I’m not excusing the Beast’s behavior (he’s a jerk and needs to learn about boundaries), but it’s his poor behavior that’s the catalyst.  It’s the reason Belle flees the castle in the first place – he’s rude, he’s being an asshole and he scares her over something that she does not realize has significant importance, not just to the Beast, but to his servants, as well. [1]

After scaring her out of his castle, the Beast realizes his error and almost becomes paralyzed with despair.  He knows he blew it, he knows he’s probably ruined the only hope to undo the curse that he and the castle are under and he wallows.  In many ways, his behavior is of someone who has given up all hope, who does not even dare to acknowledge that there is hope.

I understand that feeling.  I’ve been in that black pit of despair.  I did not treat my nearest and dearest well during that time.  Would anyone?

But what does the Beast do then?

For reasons never explained in the animated film or (presumably) the Broadway production or even in the 2017 version, the Beast goes after Belle.

Why?

What would be the point?  If he’s such a misogynistic, self-centered asshole, why would he do that?   Was he obligated to go after her?  No, he was not.  Was he obligated to save her life?  No.  The Beast CHOSE to go after Belle (to apologize, presumably, but, as observed earlier, it’s not made clear), and he ends up SAVING her life.  Was he obligated to that, too?  No, he was not.  He chose to do it because it was the right thing to do.

The Beast changed first.

It was his selfless act of saving her from the wolves that allows her to change her mind.

And yet, no one sees that. No one sees that he recognized his error (self-awareness) and went after her, to apologize (again, there’s no reason stated for why he went after her) and ends up risking his life for her.

All they see is that she changes her mind about him.

Belle didn’t reassess her opinion of the Beast out of nowhere. There was a motivating factor.

He saved her life, at great risk to himself, of his own free will.

She could have let him die and you see her move to leave him again, while he’s wounded and too weak to follow.  But she doesn’t – she recognized that he saved her life.  He chose to bend first, not Belle.

My argument here is that it was not Belle who initiated the change in their dynamic first.  She didn’t in the animated version nor in this version (and not in the Broadway production, either, I’m assuming).  I’ve read many reviews of this movie, and no one, NO ONE, remembers that Beast risked his life to save Belle BEFORE Belle decides to reassess her opinion of Beast.

Nothing happens in a vacuum.

Belle bends, but the Beast did it first.

*****

[1]  As for his relationship with the servants and why they couldn’t help Beast change his abusive and rude behavior?  Their relationship dynamics are in an already established hierarchy (master and servants).  As anyone in a family knows, effecting change in someone’s behavior is difficult enough as it is.  To effect it in someone you know is even more so.  Sometimes, it takes a stranger, someone from outside, to hold a mirror up to you before you can see it.

So, I’ve got a lot happening on my Patreon page…..

…….and I’m moving all of my creative work over there.

Right now, I’ve got two serial novels set up – the first is based on a series of true-life adventures that really actually never happened (but should have).  These are stories that I based on myself and two of my best friends from high school. We always had a lot of fun hanging out together and the nice thing is, we still do, when schedules allow.  This is the one thing about being an adult that sucks.

The other is a fantasy/mystery and the fun thing about this one is that there are four choices on what happens next.  There’s even a poll so that readers can vote – whichever choice gets the most votes is what happens next.  No votes, no moving forward, although it falls on me to have an overall arc, characters and ending.  This serialized novel and its poll are currently open to the public, but they will both close on March 15, 2017.

I’m excited about this next step in my creative development.  I hope you are, too.

You can find all of this here, at my Patreon page.

So, my Patreon site is live……

……and I’ve posted some things there, so that it’s not a blank canvas to newcomers.  It took some time to work things out to my satisfaction, but I’m excited by how I’ve got it set up.  As time goes on, I hope to add to what I’ve already established.

There are a few posts that I’ve made open to the public, which I’ve done as introduction to who I am as a writer and budding artist.

Then, in their own words, my cat, Henry the Gray, and my horse, Best Bud Mare, will narrate their daily lives for those subscribing to the $3 tier.  I’m approaching it as an on-going series of children’s stories or bits of levity in a world that feels a little dark.

In subscribing to the $10 tier, I’ve designed posts that focus on my love for traveling and how I use location as inspiration.  Subscribers to this tier will also have access to the $3 tier.

For the $20 tier, I’ve challenged myself to write two serial novels. One is a fantasy/mystery and will involve reader participation – there will be four options and whichever option receives the most votes will carry the story forward.  The second serialized novel is based on myself and my friends as kids and the true-life adventures we shared in that really actually, never happened (but should have).  There will be a few other things there, as well as access to what is posted in the other two tiers.

There are also some posts open to all patrons who subscribe.

Right now, the second serialized novel’s first entry is open to the public, which I will close on March 10, 2017.

This is my site on Patreon. I encourage you to stop by and take a look at it.

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So, I’ve been working on my Patreon page……

……….setting up posts so that when I’m finally ready to officially launch it, there will be things already in place for subscribers to enjoy.

It’s not quite ready for the public yet, but I’m excited about what I hope to accomplish. There will be a serialized story or two, one of which will have multiple choices to drive the plot forward. It will also have general posts open to all patrons, an occasional one for the public and some art work to go along with the writing.

It should be interesting.

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So, I’ve been working on my speakeasy tale……

……and I’m enjoying the interplay between the hero and the heroine. I like how they’re getting to know each other, how she gives herself permission to be bold with him and how gives himself permission to be vulnerable with her. The banter they engage in as they build a relationship of trust and mutual respect is amusing and reveals a lot about who they are and what they both desire, for themselves and for each other.

It sounds like I’m describing real people, doesn’t it? Well, it helps, when writing, to treat your characters as if they are. As you get to know them, their thoughts and feelings, the more real they become within the context of you story. If they are real to you, the stakes get higher and the resolution far more satisfying and authentic. This makes them real to the reader creates a memorable and emotional impact, which is exactly what you want.

The rough draft is so far eighty pages long – I am not sure what the ultimate page count will be until I get there. I expect it to be less than two hundred pages, not a full novel, but not a short story, either. There is a seven page scene written that has yet to find its place within the narrative. I’m not worried – I know where it’s going to go, I just haven’t gotten there yet. As far as an ending goes……well, I’m not sure which way it’s going to go. Do they go their separate ways or do they pursue a life together?

The answers will show themselves as I write it, I suppose. In the meantime, I need to follow them as they tell me their story.

prohibition

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